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高洋
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Supervisor of Master's Candidates
Paper Publications
Gao Yang,代理与幻/义肢：再考“游戏身体”的具身性意涵.北京电影学院学报,2025,
Gao Yang,“东方性”的二重建构：跨文化语境下丹尼斯肖恩舞团对中国意象的文化挪用.当代舞蹈艺术研究,2024,
Gao Yang,活字印刷术的跨文化之旅——本木昌造、姜别利与筑地活版制造所在近代中日印刷交流史中的作用与影响.北京印刷学院学报,2025,
Gao Yang,“魔力圈”的“内”与“外”：具身性视域下沉浸戏剧与遍浸游戏的假定性的比较研究.上海文化,2025,
Gao Yang,Misinterpretation and Misplacement in Intercultural Theatrical Communications between China and Japan: Ichikawa Sadanji's and Morita Kanya's Kabuki Tours in 1920s China.New Theatre Quarterly,2024,
Gao Yang,“遍浸游戏”与“虚拟实境游戏”的表演性.中国图书评论,2024,
Gao Yang,What Kind of Cosmopolitanism? Transplantation and Displacement in the (Re)construction of Theatrical Nationality in Early Twentieth-Century China and Japan.Comparative Drama,2023,
Gao Yang,思政教育与视听语言教学融合路径.西部广播电视,2023,
Gao Yang,“道具”与“用具”:具身性视阈下戏剧演出与遍浸游戏中“物”的媒介性比较研究.南大戏剧论丛,2023,
Gao Yang,“赛博超级傀儡”——戈登·克雷的身体观在“后人类”时代的超克.文艺理论研究,2023,
Gao Yang,'Purification' and 'Hybridization': (Re)construction and Reception of Theatrical Nationality in Western Tours of the Mei Lanfang and Tsutsui Troupes in 1930.Theatre Research International,2022,
Gao Yang,作为媒介化“记忆之场”的新冠肺炎疫情——以扬州疫情为例.青年记者,2022,
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