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高洋
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Supervisor of Master's Candidates
Paper Publications
Gao Yang,Misinterpretation and Misplacement in Intercultural Theatrical Communications between China and Japan: Ichikawa Sadanji's and Morita Kanya's Kabuki Tours in 1920s China.New Theatre Quarterly,2024,
Gao Yang,“遍浸游戏”与“虚拟实境游戏”的表演性.中国图书评论,2024,
Gao Yang,What Kind of Cosmopolitanism? Transplantation and Displacement in the (Re)construction of Theatrical Nationality in Early Twentieth-Century China and Japan.Comparative Drama,2023,
Gao Yang,思政教育与视听语言教学融合路径.西部广播电视,2023,
Gao Yang,“道具”与“用具”:具身性视阈下戏剧演出与遍浸游戏中“物”的媒介性比较研究.南大戏剧论丛,2023,
Gao Yang,“赛博超级傀儡”——戈登·克雷的身体观在“后人类”时代的超克.文艺理论研究,2023,
Gao Yang,'Purification' and 'Hybridization': (Re)construction and Reception of Theatrical Nationality in Western Tours of the Mei Lanfang and Tsutsui Troupes in 1930.Theatre Research International,2022,
Gao Yang,作为媒介化“记忆之场”的新冠肺炎疫情——以扬州疫情为例.青年记者,2022,
Gao Yang,20世纪早期中日传统戏剧海外输出观的差异——以梅兰芳剧团和筒井剧团1930年欧美公演为例.中华戏曲,2021,
Gao Yang,具身感的临界与断裂——“观演性”视域下戏剧演出与电子游戏“表演性”的比较研究.戏剧艺术,2022,
Gao Yang,“再剧场化”与“再总体化”——20世纪早期日本巡演剧团对西方戏剧“再活性化”进程的历史影响.人大复印报刊资料·舞台艺术（戏曲、戏剧）,2021,
Gao Yang,“再剧场化”与“再总体化”——20世纪早期日本巡演剧团对西方戏剧“再活性化”进程的历史影响.文艺理论研究,2021,
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