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高洋
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中级
Supervisor of Master's Candidates
Scientific Research
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Paper Publications
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Gao Yang,Misinterpretation and Misplacement in Intercultural Theatrical Communications between China and Japan: Ichikawa Sadanji's and Morita Kanya's Kabuki Tours in 1920s China.New Theatre Quarterly,2024,
Gao Yang,“遍浸游戏”与“虚拟实境游戏”的表演性.中国图书评论,2024,
Gao Yang,What Kind of Cosmopolitanism? Transplantation and Displacement in the (Re)construction of Theatrical Nationality in Early Twentieth-Century China and Japan.Comparative Drama,2023,
Gao Yang,思政教育与视听语言教学融合路径.西部广播电视,2023,
Gao Yang,“道具”与“用具”:具身性视阈下戏剧演出与遍浸游戏中“物”的媒介性比较研究.南大戏剧论丛,2023,
Gao Yang,“赛博超级傀儡”——戈登·克雷的身体观在“后人类”时代的超克.文艺理论研究,2023,
Patents
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Published Books
高洋,20世纪早期日本巡演剧团在西方的接受研究(英文版)Reception of Japanese Theatre Troupes Touring the United States and Europe from 1899 to 1931.[Monograph].上海交通大学出版社,2022
Research Projects
具身性视阈下数字游戏的表演性研究,高洋,
具身视角下传统戏剧与“赛博戏剧”表演性的比较研究,高洋,
江苏省“双创博士”资助项目,
具身视角下传统戏剧与“赛博戏剧”表演性的比较研究,
二十世纪早期中日传统戏剧欧美公演比较研究,学校社科项目,高洋,